The visual and acoustic landscape of Seville becomes movement in a dance solo, that alludes to childlike innocence based on what is known as the 'Baile de los Seises' and the unbroken voices of a children choir.

Seville cathedral is not only the largest Gothic cathedral in the world and one of the most important buildings in the Andalusian capital, it is also the setting for a tradition known as the "Baile de los Seises” [Dance of the Six], a dance originally performed by six children (there are now ten) dressed in traditional 16th-century clothing. They only perform three times a year: for the Immaculate Conception Festival, during Carnival and at Corpus Christi. Israel Galván was born in Seville and is the son of Seville bailaores José Galván and Eugenia de Los Reyes. The Seises are an integral part of the childhood memories of this transgressive bailaor, who has made flamenco avant-garde and is now using this Andalusian tradition with religious roots to create a choreographic solo in two parts.

The first part recreates the visual and acoustic landscapes of Seville, based on Alessandro and Domenico Scarlatti's sonatas for harpsichord and piano, the Fandango of Padre Antonio Soler, the imagery of hyper-realistic bodies by the Seville painter Diego Velázquez and the childlike innocence inherent in the "Baile de los Seises". The second part of the choreography celebrates the beauty and glorification of the body, based on its martyrdom and consumption, in a contradiction that features a reading of love poetry in the background. The show ends with the voices and silences of a children's choir. The children perform themes that intertwine and engage with the dancing of Israel Galván.